"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "You won't wait for what we may hear?" Mrs. Gereth asked.!

"Well, I shall, thank God! Till then"—and with this, for the first time, Mrs. Gereth put out her hand—"don't desert me." "To move the furniture?"

"At the West Kensington station—she was going to Victoria. I had walked with her there, and our talk was all on the way." When Owen and Fleda were in her father's little place and, among the brandy-flasks and pen-wipers, still more disconcerted and divided, the girl—to do something, though it would make him stay—had ordered tea, he put the letter before her quite as if he had guessed her thought. "She's still a bit nasty—fancy!" He handed her the scrap of a note which he had pulled out of his pocket and from its envelope. "Fleda Vetch," it ran, "is at 10 Raphael Road, West Kensington. Go to see her, and try, for God's sake, to cultivate a glimmer of intelligence." When in handing it back to him she took in his face she saw that its heightened color was the effect of his watching her read such an allusion to his want of wit. Fleda knew what it was an allusion to, and his pathetic air of having received this buffet, tall and fine and kind as he stood there, made her conscious of not quite concealing her knowledge. For a minute she was kept silent by an angered sense of the trick that had been played her. It was a trick because Fleda considered there had been a covenant; and the trick consisted of Mrs. Gereth's having broken the spirit of their agreement while conforming in a fashion to the letter. Under the girl's menace of a complete rupture she had been afraid to make of her secret the use she itched to make; but in the course of these days of separation she had gathered pluck to hazard an indirect betrayal. Fleda measured her hesitations and the impulse which she had finally obeyed and which the continued procrastination of Waterbath had encouraged, had at last made irresistible. If in her high-handed manner of playing their game she had not named the thing hidden, she had named the hiding-place. It was over the sense of this wrong that Fleda's lips closed tight: she was afraid of aggravating her case by some ejaculation that would make Owen prick up his ears. A great, quick effort, however, helped her to avoid the danger; with her constant idea of keeping cool and repressing a visible flutter, she found herself able to choose her words. Meanwhile he had exclaimed with his uncomfortable laugh: "That's a good one for me, Miss Vetch, isn't it?" Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach.